Mu­si­kre­gie | Re­cord­ing Pro­du­cer, M. Mus.

The mas­ter " Mu­sikre­gie | Re­cord­ing Pro­du­cer " builds on the B.Mus. "Mu­siküber­tra­gung | Ton­meister" and above all deep­ens the com­pet­en­ce in mu­sic­al-artist­ic re­cord­ing dir­ec­tion / pro­duc­tion and re­cord­ing prac­tice. When ap­ply­ing, you have to choose a fo­cus, which can be in the field of pop­u­lar or clas­sic­al mu­sic.

With­in the fo­cus "Clas­sic­al mu­sic," the listen­ing skills are in­tens­ively deepened in the mod­ule "ear train­ing," and "lit­er­at­ure/in­stru­ment­a­tion/or­ches­tra­tion" con­sist­ently con­tin­ues the Bach­el­or mod­ules. In or­der to fur­ther de­vel­op one's own in­stru­ment­al and mu­sic­al prac­tice, par­ti­cip­a­tion in "Cham­ber Mu­sic/En­semble Plays" is ob­lig­at­ory.

In the "Pop­u­lar Mu­sic" spe­cial­iz­a­tion, a main in­stru­ment in the field of jazz/pop is fur­ther de­ve­loped in in­di­vidu­al les­sons. "Ar­range­ment/In­stru­ment­a­tion" leads - de­pend­ing on pre­vi­ous know­ledge - to a ba­sic or deep­er un­der­stand­ing of jazz and pop mu­sic and en­ables stu­dents to work cre­at­ively on their own. Re­cord­ing pro­duc­tion and prac­tice in­clude the chance to real­ize ex­tens­ive mu­sic pro­duc­tions and are in­tens­ively su­per­vised by the pro­fess­ors.

For both ma­jors, the goal of the mas­ter's thes­is is to real­ize an ex­tens­ive pro­duc­tion pro­ject and its de­tailed doc­u­ment­a­tion/pro­duc­tion de­scrip­tion.

The course of stud­ies con­cludes with a "Mas­ter of Mu­sic : “Mu­sikre­gie | Re­cord­ing Pro­du­cer”.

In­form­a­tion on the study reg­u­la­tions, the study books and study plans as well as notes on the pro­ced­ure and re­quire­ments of the qual­i­fy­ing ex­am­in­a­tion can be found in the sec­tions "Course doc­u­ments" and "Ap­plic­a­tion" here. The dates for the qual­i­fy­ing ex­am­in­a­tions can be found here.