Kon­fe­renz­bei­trä­ge

  1. Se­bas­tià V. Amen­gu­al Garí & Win­fried La­chen­mayr & Do­mi­nik Ki­sić and Mal­te Kob,
    "Pre­li­mi­na­ry re­sults of the ef­fect of re­ver­be­ra­ti­on and sound de­lay on or­gan play­ing",
    In: Mu­si­ka­li­sche Akus­tik zwi­schen Em­pi­rie und Theo­rie: Ta­gungs­band zum Se­mi­nar des FA­MA in der DE­GA, Ham­burg, 23.-24.10.2015, (2015)  link
  2. Se­bas­tià V. Amen­gu­al Garí & Ta­pio Lok­ki and Mal­te Kob,
    "Vir­tu­al Acou­stics Tools Ap­p­lied to the Stu­dy of Mu­sic Per­for­man­ce",
    In: Mu­si­ka­li­sche Akus­tik zwi­schen Em­pi­rie und Theo­rie: Ta­gungs­band zum Se­mi­nar des FA­MA in der DE­GA, Ham­burg, 23.-24.10.2015, (2015)  link
  3. Ti­mo Gro­the,
    "Stu­dy­ing the Sound Ge­ne­ra­ti­on in the Bas­soon",
    In: Mu­si­ka­li­sche Akus­tik zwi­schen Em­pi­rie und Theo­rie: Ta­gungs­band zum Se­mi­nar des FA­MA in der DE­GA, Ham­burg, 23.-24.10.2015, (2015)  link
  4. Ras­mus Leusch­ner & Mar­tin Schnei­der and Mal­te Kob,
    "Die Re­le­vanz der Kör­per­schal­lent­kopp­lung für die Mi­kro­fo­nie­rung",
    In: Mu­si­ka­li­sche Akus­tik zwi­schen Em­pi­rie und Theo­rie: Ta­gungs­band zum Se­mi­nar des FA­MA in der DE­GA, Ham­burg, 23.-24.10.2015, (2015)  link
  5. Po­li­na Pirch and Mal­te Kob,
    "The Stroh vio­lin and the pho­no­graph",
    In: Mu­si­ka­li­sche Akus­tik zwi­schen Em­pi­rie und Theo­rie: Ta­gungs­band zum Se­mi­nar des FA­MA in der DE­GA, Ham­burg, 23.-24.10.2015, (2015)  link
  6. Se­bas­tià V. Amen­gu­al Garí and Mal­te Kob,
    "Per­cep­tu­al Eva­lua­ti­on of Fo­cu­sed Sources in a Con­cert Hall",
    In: Fort­schrit­te der Akus­tik - DA­GA2015; 41st Ger­man An­nu­al Con­fe­rence on Acou­stics, March 16.-19. 2015 in Nurem­berg, (2015)  link
  7. Ti­mo Gro­the & Rai­ner Barth & Mal­te Kob and Jörn Ja­schin­ski,
    "Hoch­ge­schwin­dig­keits- Ste­reo­pho­to­gram­me­trie ei­nes Klin­gen­den Sta­bes",
    In: Fort­schrit­te der Akus­tik - DA­GA2015; 41st Ger­man An­nu­al Con­fe­rence on Acou­stics, March 16.-19. 2015 in Nurem­berg, (2015)  link
  8. Mal­te Kob,
    "Er­fah­rung mit Te­le-Te­a­ching im Fach Mu­sic Acou­stics",
    In: Fort­schrit­te der Akus­tik - DA­GA2015; 41st Ger­man An­nu­al Con­fe­rence on Acou­stics, March 16.-19. 2015 in Nurem­berg, (2015)  link
  9. Win­fried La­chen­mayr & Cris­ti­na Za­mo­ra­no Mar­ti­nez & Eckard Mom­mertz and Mal­te Kob,
    "Zum Ein­fluss von Re­fle­xio­nen und Nach­hall auf die Ab­stands­wahr­neh­mung in Kon­zert­sä­len",
    In: Fort­schrit­te der Akus­tik - DA­GA2015; 41st Ger­man An­nu­al Con­fe­rence on Acou­stics, March 16.-19. 2015 in Nurem­berg, (2015)  link
  10. Ka­rin Mar­ten­sen & Po­li­na Zak­har­chuk & Mal­te Kob and Re­bec­ca Grot­jahn,
    "Pho­no­graph und Ge­sangs­stim­me – Un­ter­su­chun­gen zur Akus­tik frü­her Auf­zeich­nungs- und Ab­spiel­ge­rä­te",
    In: Fort­schrit­te der Akus­tik - DA­GA2015; 41st Ger­man An­nu­al Con­fe­rence on Acou­stics, March 16.-19. 2015 in Nurem­berg, (2015)  link
  11. Ka­rin Mar­ten­sen & Po­li­na Zak­har­chuk & Mal­te Kob and Re­bec­ca Grot­jahn,
    "Pho­no­graph und Ge­sangs­stim­me – Un­ter­su­chun­gen zur Akus­tik frü­her Auf­zeich­nungs- und Ab­spiel­ge­rä­te",
    In: Fort­schrit­te der Akus­tik - DA­GA2015; 41st Ger­man An­nu­al Con­fe­rence on Acou­stics, March 16.-19. 2015 in Nurem­berg, (2015)  link
  12. Se­bas­tià V. Amen­gu­al Garí & Win­fried La­chen­mayr and Mal­te Kob,
    "Stu­dy on the in­flu­ence of acou­stics on or­gan play­ing using room en­han­ce­ment",
    In: Pro­cee­dings of the Third Vi­en­na Talk on Mu­sic Acou­stics, 16-19 Sept. 2015, Uni­ver­si­ty of Mu­sic and Per­for­ming Arts Vi­en­na, (2015)  link
  13. Ti­mo Gro­the,
    "Pa­ra­me­ter ran­ges for ar­ti­fi­ci­al bas­soon play­ing",
    In: Pro­cee­dings of the Third Vi­en­na Talk on Mu­sic Acou­stics, 16-19 Sept. 2015, Uni­ver­si­ty of Mu­sic and Per­for­ming Arts Vi­en­na, (2015)  link
  14. Ti­mo Gro­the and Rai­ner Barth,
    "In­ves­ti­ga­ting chi­me bar vi­bra­ti­ons using high-speed ste­reo­pho­to­gram­me­try",
    In: Pro­cee­dings of the Third Vi­en­na Talk on Mu­sic Acou­stics, 16-19 Sept. 2015, Uni­ver­si­ty of Mu­sic and Per­for­ming Arts Vi­en­na, (2015)  link
  15. Se­bas­tià V. Amen­gu­al Garí & Dus­tin Ed­dy & Mal­te Kob and Ta­pio Lok­ki,
    "Re­al-ti­me Au­ra­li­za­ti­on of Room Acou­stics for the Stu­dy of Li­ve Mu­sic Per­for­man­ce",
    In: Fort­schrit­te der Akus­tik - DA­GA2016; 42nd Ger­man An­nu­al Con­fe­rence on Acou­stics, March 14.-17. 2016 in Aa­chen, (2016)  link
  16. Ti­mo Gro­the and Jo­han­nes Baum­gart,
    "A Com­pa­ri­son of In­to­na­ti­on Es­ti­ma­tes for Reed Wood­winds",
    In: Fort­schrit­te der Akus­tik - DA­GA2016; 42nd Ger­man An­nu­al Con­fe­rence on Acou­stics, March 14.-17. 2016 in Aa­chen, (2016)  link
  17. Do­mi­nik Ki­sić & Se­bas­tià V. Amen­gu­al Garí & Ari­sto­te­lis Ha­d­ja­kos and Mal­te Kob,
    "Ex­trac­ti­on and eva­lua­ti­on of tem­po­ral mu­si­cal fea­tu­res from MI­DI re­cor­dings of or­gan mu­sic",
    In: Fort­schrit­te der Akus­tik - DA­GA2016; 42nd Ger­man An­nu­al Con­fe­rence on Acou­stics, March 14.-17. 2016 in Aa­chen, (2016)  link
  18. Mal­te Kob & Se­bas­tià V. Amen­gu­al Garí & Ba­nu Sa­hin & Ari­sto­te­lis Ha­d­ja­kos and Ma­ria Sau­lich,
    "On­li­ne-Tool for in­ter­ac­ti­ve sound ana­ly­sis of or­che­stra in­stru­ments",
    In: Fort­schrit­te der Akus­tik - DA­GA2016; 42nd Ger­man An­nu­al Con­fe­rence on Acou­stics, March 14.-17. 2016 in Aa­chen, (2016)  link
  19. Ba­nu Sa­hin & Ma­ria Sau­lich and Mal­te Kob,
    "Vi­deo- and au­dio re­cor­dings for a new in­ter­ac­ti­ve me­thod to te­ach in­stru­ment and room acou­stics",
    In: Fort­schrit­te der Akus­tik - DA­GA2016; 42nd Ger­man An­nu­al Con­fe­rence on Acou­stics, March 14.-17. 2016 in Aa­chen, (2016)  link
  20. Ba­nu Sa­hin & Se­bas­tià V. Amen­gu­al Garí and Mal­te Kob,
    "In­ves­ti­ga­ting lis­te­ners’ pre­fe­rences in Det­mold Con­cert Hall by com­pa­ring sen­so­ry eva­lua­ti­on and ob­jec­ti­ve mea­su­re­ments",
    In: Fort­schrit­te der Akus­tik - DA­GA2017; 43th Ger­man An­nu­al Con­fe­rence on Acou­stics, March 06.-09. 2017 in Kiel, (2017)  link
  21. Mal­te Kob & Se­bas­tià V. Amen­gu­al Garí & Bo­ris Alex­an­der Bol­les & Do­ris Ma­ria Rit­ter and Po­li­na Pirch,
    "In­flu­ence of Ear­ly Re­cor­ding and Play­ing De­vi­ces on Voi­ce So­unds: Mo­di­fi­ca­ti­on of sin­ging voi­ce for­mants",
    In: Fort­schrit­te der Akus­tik - DA­GA2018; 44th Ger­man An­nu­al Con­fe­rence on Acou­stics, March 19.-22. 2018 in Mu­nich, (2018)  link
  22. To­bi­as An­dre­as Wee­ge & Ha­bas­ins­ka Do­ro­ta and Mal­te Kob,
    "In­flu­ence of Ear­ly Re­cor­ding and Play­ing De­vi­ces on Mu­si­cal Sound: FRF Mea­su­re­ments of Horn, So­und­box and To­ne­arm",
    In: Fort­schrit­te der Akus­tik - DA­GA2018; 44th Ger­man An­nu­al Con­fe­rence on Acou­stics, March 19.-22. 2018 in Mu­nich, (2018)  link
  23. Se­bas­tià V. Amen­gu­al Garí, Mal­te Kob and Ta­pio Lok­ki,
    "Ana­ly­sis of trum­pet per­for­man­ce ad­just­ments due to room acou­stics",
    In: Pro­cee­dings of the IS­RA 2019 In­ter­na­tio­nal Sym­po­si­um on Room Acou­stics, 65-73, (2019)  link
  24. Ti­mo Gro­the and Mal­te Kob,
    "High re­so­lu­ti­on 3D ra­dia­ti­on mea­su­re­ments on the bas­soon",
    In: Pro­cee­dings of the In­ter­na­tio­nal Sym­po­si­um on Mu­sic Acou­stics 2019, (2019)  link
  25. Ste­fa­nos Io­an­nou and Mal­te Kob,
    "In­ves­ti­ga­ti­on of the Blen­ding of Sound in a String En­sem­ble",
    In: Pro­cee­dings of the In­ter­na­tio­nal Sym­po­si­um on Mu­sic Acou­stics 2019, (2019)  link
  26. Mal­te Kob and Ale­xis Bas­kind,
    "Im­pact of free field in­ho­mo­ge­ni­ty on di­rec­ti­vi­ty mea­su­re­ments due to the mea­su­re­ment set-up",
    In: Pro­cee­dings of the In­ter­na­tio­nal Sym­po­si­um on Mu­sic Acou­stics 2019, (2019)  link
  27. Mal­te Kob & Mar­tha de Fran­cis­co & Fran­cois Ri­vest and Ca­ro­li­ne Trau­be,
    "ODES­SA - Or­che­s­tral Dis­tri­bu­ti­on Ef­fects in Sound, Space and Acou­stics: an in­ter­dis­ci­pli­na­ry sym­pho­nic re­cor­ding for the stu­dy of or­che­s­tral sound blen­ding",
    In: Pro­cee­dings of the In­ter­na­tio­nal Sym­po­si­um on Mu­sic Acou­stics 2019, (2019)  link
  28. Vin­cent Bu­jor and Ti­mo Gro­the,
    "Mu­si­cal Tim­bre can En­han­ce the Emo­ti­on Con­veyed by a Me­lo­dy",
    In: Fort­schrit­te der Akus­tik - DA­GA2019; 45th Ger­man An­nu­al Con­fe­rence on Acou­stics, March 18.-21. 2019 in Ro­stock, (2019)  link
  29. Na­than Fli­po & Ti­mo Gro­the and Mal­te Kob,
    "In­ves­ti­ga­ti­ons on the di­rec­ti­vi­ty of string in­stru­ments using a bo­wing ma­chi­ne",
    In: Fort­schrit­te der Akus­tik - DA­GA2019; 45th Ger­man An­nu­al Con­fe­rence on Acou­stics, March 18.-21. 2019 in Ro­stock, (2019)  link
  30. Win­fried Hy­ro­ni­mus and Ti­mo Gro­the,
    "Un­ter­su­chung der Rich­tungs­ab­hän­gig­keit der Klang­far­be des Fa­gotts im An­wen­dungs­kon­text der Mu­sik­über­tra­gung",
    In: Fort­schrit­te der Akus­tik - DA­GA2019; 45th Ger­man An­nu­al Con­fe­rence on Acou­stics, March 18.-21. 2019 in Ro­stock, (2019)  link
  31. Iri­na Os­h­kai & Su­san­ne Schwi­ckert and Mal­te Kob,
    "Soft­wa­re­ge­stütz­te Ent­wick­lung von Ge­stal­tungs­kon­zep­ten für Mu­sik­übungs­räu­me",
    In: Fort­schrit­te der Akus­tik - DA­GA2019; 45th Ger­man An­nu­al Con­fe­rence on Acou­stics, March 18.-21. 2019 in Ro­stock, (2019)  link
  32. Isa­bel Schil­ler, Do­mi­n­ique Mor­som­me, Mal­te Kob and An­gé­li­que Re­m­acle,
    “Chil­dren's per­cep­ti­on of de­gra­ded speech at nor­mal vs. fast speech ra­te“,
    In.: Pro­ceed­ings of the 23rd In­ter­na­ti­on­al Con­gress on Acous­tics (ICA) in Aa­chen (2019) link
  33. Isa­bel Schil­ler, Do­mi­ni­que Mor­som­me, Mal­te Kob and Angé­li­que Re­macle,
    “What did you say? Child­ren’s spo­ken lan­gua­ge pro­ces­sing in noi­se and spea­ker’s poor voi­ce“,
    Pre­sen­ta­ti­on at the Mee­ting of the Grou­pe de Con­tact de Psy­cho­lin­guis­ti­que et Neu­ro­lin­guis­ti­que (GCPN) (2020) link
  34. Leo­nar­do Fuks, Ti­mo Gro­the and Mal­te Kob,
    “De­ve­lop­ment and de­mons­tra­ti­on of Helm­holt­zi­an in­stru­ments“,
    In: Fort­schrit­te der Akus­tik - DA­GA 2021 in Wi­en, 463-465 (2021) 
  35. The­resa Jensch und Ti­mo Gro­the,
    „To­ne Ho­le Ad­just­ment for a Woo­den Sa­xo­pho­ne“
    In: Fort­schrit­te der Akus­tik - DA­GA 2021 in Wi­en, 466-468 (2021)
  36. Ti­mo Gro­the, Se­bas­tià Amen­gu­al Garí und Ale­xis Bas­kind,
    “Trans­fer func­ti­on mea­su­re­ments of the Bas­soon“,
    In: Fort­schrit­te der Akus­tik - DA­GA 2021 in Wi­en, 490-492 (2021)
  37. Wal­ter Buch­holt­zer, Ji­thin Thil­akan, The­resa Jensch, Dus­tin Ed­dy und Mal­te Kob,
    “In­ves­ti­ga­ti­on of sound pres­su­re ne­ar to­ne­ho­les of a mo­del pi­pe“,
    In: Fort­schrit­te der Akus­tik - DA­GA 2021 in Wi­en, 469-472 (2021)
  38. Ji­thin Thil­akan and Mal­te Kob,
    “Eva­lua­ti­on of sub­jec­ti­ve im­pres­si­on of in­stru­ment blen­ding in a string en­sem­ble“,
    In: Fort­schrit­te der Akus­tik - DA­GA 2021 in Wi­en, 524-527 (2021)
  39. Wal­ter Buch­holt­zer, Jith­in Thil­akan, and Mal­te Kob,
    „The im­pact of acous­tic en­vir­on­ments on the per­cep­ti­on of dir­ec­t­iv­ity of mu­sic­al in­stru­ments“,
    In: Forts­ch­rit­te der Ak­us­tik - DA­GA 2022 in Stut­tgart, 857-859 (2022)
  40. An­drea C. Mar­ruf­fo, Jith­in Thil­akan, Alex Hof­mann, Va­sil­is Chat­ziio­an­nou and Mal­te Kob,
    „High-res­ol­u­ti­on 3D dir­ec­t­iv­ity meas­ure­ments of a trum­pet“,
    In: Forts­ch­rit­te der Ak­us­tik - DA­GA 2022 in Stut­tgart, 131-133 (2022)
  41. TI­mo Gro­the and Au­gus­tin Er­noult,
    „How does a clo­sed long chim­ney af­fect the sound of con­ic­al reed wind in­stru­ments?“,
    In: Forts­ch­rit­te der Ak­us­tik - DA­GA 2022 in Stut­tgart, 835-836 (2022)
  42. Jith­in Thil­akan, Wal­ter Buch­holt­zer and Mal­te Kob,
    „In­vest­ig­a­ti­on of the per­cep­tu­al rel­ev­an­ce of dir­ec­t­iv­ity of re­al and vir­tu­al sources in­dif­fer­ent acous­tic en­vir­on­ments“,
    In: Forts­ch­rit­te der Ak­us­tik - DA­GA 2022 in Stut­tgart, 134-137 (2022)
  43. Mal­te Kob, Le­onar­do Fuks and Ri­car­do C. Mi­chel,
    „Vo­lu­me es­tim­a­ti­on with a CD mouth­pie­ce and a Helm­holtz Vo­lu­Met­er App“,
    In: Forts­ch­rit­te der Ak­us­tik - DA­GA 2022 in Stut­tgart, 686-689 (2022)
  44. Kim K. Blasch­ke, Su­san­ne Schwick­ert and Mal­te Kob,
    „Rau­mak­us­ti­sche Ei­gen­schaf­ten von Leh­mo­ber­flä­chen“,
    In: Forts­ch­rit­te der Ak­us­tik - DA­GA 2022 in Stut­tgart, 766-769 (2022)
  45. Die­ter Leck­schat & Chris­ti­an Epe & Ti­mo Gro­the & Ralph Kess­ler & Mal­te Kob and Weis­man­tel, In­go,
    "Wi­ki.Au­dio: Ei­ne in­ter­ak­ti­ve En­zy­klo­pä­die der Akus­tik und Au­dio­tech­nik",
  46. Ji­thin Thil­akan, Ota­vio C. Go­mes, Eckard Mom­mertz, Mal­te Kob,
    Pi­lot stu­dy on the per­cep­tu­al qua­li­ty of clo­se-mic re­cor­dings in au­ra­li­za­ti­on of a string en­sem­ble
    In: Pro­cee­dings of Mee­tings on Acou­stics 49 (1) (2022)
    In: Fort­schrit­te der Akus­tik - DA­GA2023; 49th Ger­man An­nu­al Con­fe­rence on Acou­stics, March 21.-23. 2022 in Ham­burg, (2023), p. 802--803  link
  47. Mal­te Kob, Ji­thin Thil­akan, Na­t­ha­lie Hen­rich Ber­nar­do­ni
    "Vo­cal-tract im­pe­dance at the mouth-from 1995 to to­day A tri­bu­te to Joe Wolfe and John Smith"
    In: Stock­holm Mu­sic Acou­stics Con­fe­rence (SMAC) 2023  
  48. Ti­mo Gro­the, Ve­ra Grund, Sa­mu­el Se­bas­ti­an Hu­ber, Mal­te Kob, Ju­le Wink­ler & Xiao­qi Zhou: „Ap­proach­ing Sound­sca­pes of Ba­ro­que The­at­ers“. Pos­ter­bei­trag, In: Forts­ch­rit­te der Ak­us­tik – DA­GA 2024, ht­tps://pub.de­ga-ak­us­tik.de/DA­GA_2024/fi­les/up­load/pa­per/638.pdf
  49. Mal­te Kob, Xiao­qi Zhou, Ju­le Wink­ler, Sa­mu­el Se­bas­ti­an Hu­ber, Ti­mo Gro­the & Ve­ra Grund: On the his­tor­ic­al room acous­tics of ba­ro­que thea­tres in Bay­reuth and Go­tha. Vor­trag, Forts­ch­rit­te der Ak­us­tik – DA­GA 2024, ht­tps://pub.de­ga-ak­us­tik.de/DA­GA_2024/kon­fer­enz?art­ic­le=394