For two intensive days, everything at the Erich Thienhaus Institute (ETI) revolved around immersive listening: Tonmeister Philip Krause from the renowned Emil Berliner Studios visited to guide the students into the world of Dolby Atmos — technically rigorous, hands-on, and artistically demanding.

Two in­tens­ive sem­in­ar days — twice over: To en­able as many stu­dents as pos­sible to take part, Ton­meister Philip Krause held his Dolby At­mos sem­in­ar twice at the Erich Thi­en­haus In­sti­tute (ETI).

The ex­per­i­enced Ton­meister from the Emil Ber­liner Stu­di­os provided a com­pre­hens­ive in­sight in­to work­ing with the im­mers­ive format and shared what he con­siders truly es­sen­tial when pro­du­cing in Dolby At­mos. From the tech­nic­al setup, sys­tem ar­chi­tec­ture, and work­flow to artist­ic ques­tions con­cern­ing re­cord­ing, mix­ing, and mas­ter­ing — the sem­in­ar covered the en­tire pro­duc­tion pro­cess.

Through hands-on dis­cus­sions, in-depth ex­plan­a­tions, and nu­mer­ous listen­ing ex­amples, the par­ti­cipants de­veloped a deep­er un­der­stand­ing of the cre­at­ive pos­sib­il­it­ies offered by im­mers­ive sound. Krause con­sist­ently em­phas­ized the in­ter­play between tech­nic­al pre­ci­sion and artist­ic in­ten­tion — a com­bin­a­tion that fun­da­ment­ally shapes the qual­ity of Dolby At­mos pro­duc­tions.

Draw­ing on his ex­tens­ive ex­per­i­ence with in­ter­na­tion­al pro­duc­tions and artists, Philip Krause con­trib­uted not only ex­pert know­ledge but also many prac­tic­al tips and in­sights in­to every­day stu­dio work.

We sin­cerely thank him for his vis­it to the ETI, for his ded­ic­ated teach­ing, and for his com­mit­ment in of­fer­ing this ex­cit­ing sem­in­ar twice!

Previous Next