Dis­ser­ta­ti­onen

  1. Mal­te Kob,
    "Phy­si­cal Mo­del­ling of the sin­ging voi­ce",
    RW­TH Aa­chen Uni­ver­si­ty (2001)  link
  2. Ti­mo Gro­the,
    "Ex­pe­ri­men­tal In­ves­ti­ga­ti­ons of Bas­soon Acou­stics",
    Tech­ni­sche Uni­ver­si­tät Dres­den (2014)  link
  3. Win­fried La­chen­mayr,
    "Per­cep­ti­on and Quan­ti­fi­ca­ti­on of Re­ver­be­ra­ti­on in Con­cert Ve­nues",
    Hoch­schu­le für Mu­sik Det­mold (2017)  link
  4. Se­bas­tià Vi­cenç Amen­gu­al Garí,
    "In­ves­ti­ga­ti­ons on the In­flu­ence of Acou­stics on Li­ve Mu­sic Per­for­man­ce using Vir­tu­al Acou­stic Me­thods",
    Hoch­schu­le für Mu­sik Det­mold (2018)  link

Mas­ter­ar­bei­ten

  1. Cris­ti­na Za­mo­ra­no,
    “Ex­pe­ri­men­tal in­ves­ti­ga­ti­ons on pro­xi­mi­ty per­cep­ti­on ma­ni­pu­la­ting re­flec­ti­ons in vir­tu­al and re­al room acou­sti­cal en­vi­ron­ments“,
    Det­mold Uni­ver­si­ty of muisc (2014)
  2. Po­li­na Pirch,
    "On the use and acou­sti­ca cha­rac­te­ri­stics of me­cha­ni­cal­ly aug­men­ted mu­si­cal in­stru­ments and ear­ly re­cor­ding de­vi­ces",
    Det­mold Uni­ver­si­ty of Mu­sic (2015)
  3. Dus­tin Ed­dy,
    "Vi­su­al aid for im­pro­ved re­pea­ta­bi­li­ty in muis­cal in­stru­ment play­ing for sci­en­ti­fic mea­su­re­ments",
    Det­mold Uni­ver­si­ty of Mu­sic (2017)
  4. Ba­nu Sa­hin,
    "In­ves­ti­ga­ti­on of the Det­mold Con­cert Hall au­di­to­ri­um acou­stics by com­pa­ring pre­fe­rence ra­tings and ob­jec­ti­ve mea­su­re­ments",
    Det­mold Uni­ver­si­ty of Mu­sic (2017)
  5. To­bi­as An­dre­as­ Wee­ge,
    “Acou­stic cha­rac­te­ri­za­ti­on of ear­ly me­cha­no-acou­sti­cal re­cor­ding and play­ing de­vi­ces by nu­me­ri­cal and mea­su­re­ment me­thods“,
    Det­mold Uni­ver­si­ty of Mu­sic (2018)
  6. Ma­ri­jn Kooy,
    “Per­cep­ti­ve and Ob­jec­ti­ve As­sess­ment of Voi­ce Sound Mo­di­fi­ca­ti­ons in Ear­ly Re­cor­dings“,
    Det­mold Uni­ver­si­ty of Mu­sic (2018)
  7. Wal­ter Buch­holt­zer,
    “In­ves­ti­ga­ti­on on the per­cep­ti­on of di­rec­ti­vi­ty of mu­si­cal in­stru­ments“,
    Det­mold Uni­ver­si­ty of Mu­sic (2022)
  8. The­resa Jensch,
    “In­flu­ence of the trom­bo­ne mouth­pie­ce geo­me­try on the sound, in­ves­ti­ga­ted with player and tech­ni­cal pul­se ex­ci­ta­ti­on“,
    Det­mold Uni­ver­si­ty of Mu­sic (2022)