Dissertations
- Malte Kob,
"Physical Modelling of the singing voice",
RWTH Aachen University (2001) link - Timo Grothe,
"Experimental Investigations of Bassoon Acoustics",
Technische Universität Dresden (2014) link - Winfried Lachenmayr,
"Perception and Quantification of Reverberation in Concert Venues",
Hochschule für Musik Detmold (2017) link - Sebastià Vicenç Amengual Garí,
"Investigations on the Influence of Acoustics on Live Music Performance using Virtual Acoustic Methods",
Hochschule für Musik Detmold (2018) link
Master‘s theses
- Cristina Zamorano,
“Experimental investigations on proximity perception manipulating reflections in virtual and real room acoustical environments“,
Detmold University of muisc (2014) - Polina Pirch,
"On the use and acoustica characteristics of mechanically augmented musical instruments and early recording devices",
Detmold University of Music (2015) - Dustin Eddy,
"Visual aid for improved repeatability in muiscal instrument playing for scientific measurements",
Detmold University of Music (2017) - Banu Sahin,
"Investigation of the Detmold Concert Hall auditorium acoustics by comparing preference ratings and objective measurements",
Detmold University of Music (2017) - Tobias Andreas Weege,
“Acoustic characterization of early mechano-acoustical recording and playing devices by numerical and measurement methods“,
Detmold University of Music (2018) - Marijn Kooy,
“Perceptive and Objective Assessment of Voice Sound Modifications in Early Recordings“,
Detmold University of Music (2018) - Walter Buchholtzer,
“Investigation on the perception of directivity of musical instruments“,
Detmold University of Music (2022) - Theresa Jensch,
“Influence of the trombone mouthpiece geometry on the sound, investigated with player and technical pulse excitation“,
Detmold University of Music (2022)